Art of Worldly Wisdom (Baltasar Gracián)
https://fs.blog/art-of-prudence/
The Pocket Oracle and Art of Prudence, a book by Baltasar Gracián (1601-1658) offers three hundred aphorisms for understanding the world and successfully diverging from the pack.
https://en.wikipedia.org/wiki/Baltasar_Graci%C3%A1n
https://en.wikipedia.org/wiki/Baltasar_Gracián
The Art of Worldly Wisdom
Wikiquote has quotations related to Oráculo Manual y Arte de Prudencia.
Gracián's style, generically called conceptism, is characterized by ellipsis and the concentration of a maximum of significance in a minimum of form, an approach referred to in Spanish as agudeza (wit), and which is brought to its extreme in the Oráculo Manual y Arte de Prudencia (literally Manual Oracle and Art of Discretion, commonly translated as The Art of Worldly Wisdom), which is almost entirely composed of three hundred maxims with commentary. He constantly plays with words: each phrase becomes a puzzle, using the most diverse rhetorical devices.
Its appeal has endured: in 1992, Christopher Maurer's translation of this book remained 18 weeks (2 weeks in first place) in The Washington Post's list of Nonfiction General Best Sellers. It has sold nearly 200,000 copies.
https://en.wikipedia.org/wiki/The_Art_of_Worldly_Wisdom
https://monadnock.net/gracian/wisdom.html
https://monadnock.net/
https://monadnock.net/gracian/wisdom.html
https://monadnock.net/
[worth listening]
6:09
The Art of Worldy Wisdom (Gracian)
https://www.youtube.com/watch?v=yOo6w6mYlfY
https://www.youtube.com/watch?v=yOo6w6mYlfY
Corey Anton
Sep 25, 2009
A reading of four Maxims from the Joseph Jacob's translation of Baltasar Gracian's book, The Art of Worldly Wisdom.
#53
8:40
The Art of Worldy Wisdom; Baltasar Gracian V2
https://www.youtube.com/watch?v=uPhW3otmYvI
https://www.youtube.com/watch?v=uPhW3otmYvI
Giving Voice to the Wisdom of the Ages
Oct 15, 2017
The Art of Worldly Wisdom, Baltasar Gracian
Gracián's style, generically called conceptism, is characterized by ellipsis and the concentration of a maximum of significance in a minimum of form, an approach referred to in Spanish as agudeza (wit), and which is brought to its extreme in the Oráculo Manual y Arte de Prudencia (literally Manual Oracle and Art of Discretion, commonly translated as The Art of Worldly Wisdom), which is almost entirely composed of three hundred maxims with commentary. He constantly plays with words: each phrase becomes a puzzle, using the most diverse rhetorical devices.
Its appeal has endured: in 1992, Christopher Maurer's translation of this book remained 18 weeks (2 weeks in first place) in the Washington Post's list of Nonfiction General Best Sellers. It has sold nearly 200,000 copies.
The son of a doctor, in his childhood Gracián lived with his uncle, who was a priest. He studied at a Jesuit school in 1621 and 1623 and theology in Zaragoza. He was ordained in 1627 and took his final vows in 1635.
He assumed the vows of the Jesuits in 1633 and dedicated himself to teaching in various Jesuit schools. He spent time in Huesca, where he befriended the local scholar Vincencio Juan de Lastanosa, who helped him achieve an important milestone in his intellectual upbringing. He acquired fame as a preacher, although some of his oratorical displays, such as reading a letter sent from Hell from the pulpit, were frowned upon by his superiors. He was named Rector of the Jesuit College of Tarragona and wrote works proposing models for courtly conduct such as El héroe (The Hero), El político (The Politician), and El discreto (The Discreet One). During the Spanish war with Catalonia and France, he was chaplain of the army that liberated Lleida in 1646.
In 1651, he published the first part of the Criticón (Faultfinder) without the permission of his superiors, whom he disobeyed repeatedly. This attracted the Society's displeasure. Ignoring the reprimands, he published the second part of Criticón in 1657, as a result was sanctioned and exiled to Graus at the beginning of 1658. Soon Gracian wrote to apply for membership in another religious order. His demand was not met, but his sanction was eased off: in April 1658 he was sent to several minor positions under the College of Tarazona. His physical decline prevented him from attending the provincial congregation of Calatayud and on 6 December 1658 Gracian died in Tarazona, near Zaragoza in the Kingdom of Aragon.
Gracián is the most representative writer of the Spanish Baroque literary style known as Conceptismo (Conceptism), of which he was the most important theoretician; his Agudeza y arte de ingenio (Wit and the Art of Inventiveness) is at once a poetic, a rhetoric and an anthology of the conceptist style.
The Aragonese village where he was born, Belmonte de Calatayud, changed its name to Belmonte de Gracián in his honour.
The 1911 Encyclopædia Britannica wrote of Gracián that "He has been excessively praised by Schopenhauer, whose appreciation of the author induced him to translate the Oráculo manual, and he has been unduly depreciated by Ticknor and others. He is an acute thinker and observer, misled by his systematic misanthropy and by his fantastic literary theories".
Nietzsche wrote of the Oráculo, "Europe has never produced anything finer or more complicated in matters of moral subtlety," and Schopenhauer, who translated it into German, considered the book "Absolutely unique... a book made for constant use...a companion for life" for "those who wish to prosper in the great world." A translation of the Oráculo manual from the Spanish by Joseph Jacobs (London: Macmillan and Co., Limited), first published in 1892, was a huge commercial success, with many reprintings over the years (most recently by Shambala). Jacobs’ translation is alleged to have been read by Winston Churchill, seven years later, on the ship taking him to the Boer Wars.
In Paris, in 1924, a revision and reprint of the translation into French by Abraham-Nicolas Amelot de La Houssaie, with a preface by André Rouveyre, attracted a wide readership there, and was admired by André Gide. A new translation by Christopher Maurer (New York: Doubleday) became a national bestseller in the U.S. in 1992 , and the English edition, which sold almost 200,000 copies, was translated into Finnish, Chinese, Japanese, Portuguese, and many other languages.
____________________________________
8:40
The Art of Worldy Wisdom; Baltasar Gracian V2
https://www.youtube.com/watch?v=uPhW3otmYvI
https://www.youtube.com/watch?v=uPhW3otmYvI
Giving Voice to the Wisdom of the Ages
Oct 15, 2017
The Art of Worldy Wisdom;
(Baltasar Gracián)
─ A man at his highest point
─ Avoid victories over superiors
─ To be without passions
─ Avoids the faults of your nation
─ Fortune and fame
─ Cultivate those who can teach you
─ Nature and art
─ Act sometimes on second thoughts ...
─ The thing itself and the way it is done
─ Keep ministering spirits
─
The Art of Worldy Wisdom;
(Baltasar Gracián)
─ A man at his highest point
─ Avoid victories over superiors
─ To be without passions
─ Avoids the faults of your nation
─ Fortune and fame
─ Cultivate those who can teach you
─ Nature and art
─ Act sometimes on second thoughts ...
─ The thing itself and the way it is done
─ Keep ministering spirits
____________________________________
https://www.goodreads.com/author/quotes/1026409.Baltasar_Graci_n
____________________________________
The Art of Worldy Wisdom;
(Baltasar Gracián)
─ A man at his highest point
─ Avoid victories over superiors
─ To be without passions
─ Avoids the faults of your nation
─ Fortune and fame
─ Cultivate those who can teach you
─ Nature and art
─ Act sometimes on second thoughts ...
─ The thing itself and the way it is done
─ Keep ministering spirits
first published in 1637
translated to English by Joseph Jacobs in 1892.
A collection of 300 aphorisms on life and the way you should live, Balthsar Gracian's work has been used as a modern day guide to life much in the way that Sun Tzu's Art of WAr or Machiavelli's The Prince have.
https://www.online-literature.com/gracian/art-worldly-wisdom/6/
vi A Man at his Highest Point.
We are not born perfect: every day we develop in our personality and in our calling till we reach the highest point of our completed being, to the full round of our accomplishments, of our excellences. This is known by the purity of our taste, the clearness of our thought, the maturity of our judgment, and the firmness of our will. Some never arrive at being complete; somewhat is always awanting: others ripen late. The complete man, wise in speech, prudent in act, is admitted to the familiar intimacy of discreet persons, is even sought for by them.
vii Avoid Victories over Superiors.
All victories breed hate, and that over your superior is foolish or fatal. Superiority is always detested, à fortiori superiority over superiority. Caution can gloss over common advantages; for example, good looks may be cloaked by careless attire. There be some that will grant you precedence in good luck or good temper, but none in good sense, least of all a prince; for good sense is a royal prerogative, any claim to that is a case of lèse majesté. They are princes, and wish to be so in that most princely of qualities. They will allow a man to help them but not to surpass them, and will have any advice tendered them appear like a recollection of something they have forgotten rather than as a guide to something they cannot find. The stars teach us this finesse with happy tact; though they are his children and brilliant like him, they never rival the brilliancy of the sun.
viii To be without Passions.
’Tis a privilege of the highest order of mind. Their very eminence redeems them from being affected by transient and low impulses. There is no higher rule than that over oneself, over one's impulses: there is the triumph of free will. While passion rules the character, no aiming at high office; the less the higher. It is the only refined way of avoiding scandals; nay, ’tis the shortest way back to good repute.
ix Avoid the Faults of your Nation.
Water shares the good or bad qualities of the strata through which it flows, and man those of the climate in which he is born. Some owe more than others to their native land, because there is a more favourable sky in the zenith. There is not a nation even among the most civilised that has not some fault peculiar to itself which other nations blame by way of boast or as a warning. ’Tis a triumph of cleverness to correct in oneself such national failings, or even to hide them: you get great credit for being unique among yourfellows, and as it is less expected of you it is esteemed the more. There are also family failings as well as faults of position, of office or of age. If these all meet in one person and are not carefully guarded against, they make an intolerable monster.
x Fortune and Fame.
Where the one is fickle the other is enduring. The first for life, the second afterwards; the one against envy, the other against oblivion. Fortune is desired, at times assisted: fame is earned. The desire for fame springs from man's best part. It was and is the sister of the giants; it always goes to extremes--horrible monsters or brilliant prodigies.
xi Cultivate those who can teach you.
Let friendly intercourse be a school of knowledge, and culture be taught through conversation: thus you make your friends your teachers and mingle the pleasures of conversation with the advantages of instruction. Sensible persons thus enjoy alternating pleasures: they reap applause for what they say, and gain instruction from what they hear. We are always attracted to others by our own interest,but in this case it is of a higher kind. Wise men frequent the houses of great noblemen not because they are temples of vanity, but as theatres of good breeding. There be gentlemen who have the credit of worldly wisdom, because they are not only themselves oracles of all nobleness by their example and their behaviour, but those who surround them form a well-bred academy of worldly wisdom of the best and noblest kind.
xii Nature and Art:
material and workmanship. There is no beauty unadorned and no excellence that would not become barbaric if it were not supported by artifice: this remedies the evil and improves the good. Nature scarcely ever gives us the very best; for that we must have recourse to art. Without this the best of natural dispositions is uncultured, and half is lacking to any excellence if training is absent. Every one has something unpolished without artificial training, and every kind of excellence needs some polish.
xiii Act sometimes on Second Thoughts, sometimes on First Impulse.
Man's life is a warfare against the malice ofmen. Sagacity fights with strategic changes of intention: it never does what it threatens, it aims only at escaping notice. It aims in the air with dexterity and strikes home in an unexpected direction, always seeking to conceal its game. It lets a purpose appear in order to attract the opponent's attention, but then turns round and conquers by the unexpected. But a penetrating intelligence anticipates this by watchfulness and lurks in ambush. It always understands the opposite of what the opponent wishes it to understand, and recognises every feint of guile. It lets the first impulse pass by and waits for the second, or even the third. Sagacity now rises to higher flights on seeing its artifice foreseen, and tries to deceive by truth itself, changes its game in order to change its deceit, and cheats by not cheating, and founds deception on the greatest candour. But the opposing intelligence is on guard with increased watchfulness, and discovers the darkness concealed by the light and deciphers every move, the more subtle because more simple. In this way the guile of the Python combats the far darting rays of Apollo.
xiv The Thing Itself and the Way it is done.
"Substance" is not enough: "accident"is also required, as the scholastics say. A bad manner spoils everything, even reason and justice; a good one supplies everything, gilds a No, sweetens truth, and adds a touch of beauty to old age itself. The how plays a large part in affairs, a good manner steals into the affections. Fine behaviour is a joy in life, and a pleasant expression helps out of a difficulty in a remarkable way.
xv Keep Ministering Spirits.
It is a privilege of the mighty to surround themselves with the champions of intellect; these extricate them from every fear of ignorance, these worry out for them the moot points of every difficulty. ’Tis a rare greatness to make use of the wise, and far exceeds the barbarous taste of Tigranes, who had a fancy for captive monarchs as his servants. It is a novel kind of supremacy, the best that life can offer, to have as servants by skill those who by nature are our masters. ’Tis a great thing to know, little to live: no real life without knowledge. There is remarkable cleverness in studying without study, in getting much by means of many, and through them all to become wise. Afterwards you speak in the council chamber on behalf of many, and as many sages speak through your mouth as were consulted beforehand: you thus obtain the fame of an oracle by others' toil. Such ministering spirits distil the best books and serve up the quintessence of wisdom. But he that cannot have sages in service should have them for his friends.
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https://monadnock.net/gracian/wisdom.html
https://monadnock.net/
____________________________________
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The Art of Worldy Wisdom (Gracian)
https://www.youtube.com/watch?v=yOo6w6mYlfY
https://www.youtube.com/watch?v=yOo6w6mYlfY
Corey Anton
Sep 25, 2009
A reading of four Maxims from the Joseph Jacob's translation of Baltasar Gracian's book, The Art of Worldly Wisdom.
#53
8:40
The Art of Worldy Wisdom; Baltasar Gracian V2
https://www.youtube.com/watch?v=uPhW3otmYvI
https://www.youtube.com/watch?v=uPhW3otmYvI
Giving Voice to the Wisdom of the Ages
Oct 15, 2017
The Art of Worldly Wisdom, Baltasar Gracian
Gracián's style, generically called conceptism, is characterized by ellipsis and the concentration of a maximum of significance in a minimum of form, an approach referred to in Spanish as agudeza (wit), and which is brought to its extreme in the Oráculo Manual y Arte de Prudencia (literally Manual Oracle and Art of Discretion, commonly translated as The Art of Worldly Wisdom), which is almost entirely composed of three hundred maxims with commentary. He constantly plays with words: each phrase becomes a puzzle, using the most diverse rhetorical devices.
Its appeal has endured: in 1992, Christopher Maurer's translation of this book remained 18 weeks (2 weeks in first place) in the Washington Post's list of Nonfiction General Best Sellers. It has sold nearly 200,000 copies.
The son of a doctor, in his childhood Gracián lived with his uncle, who was a priest. He studied at a Jesuit school in 1621 and 1623 and theology in Zaragoza. He was ordained in 1627 and took his final vows in 1635.
He assumed the vows of the Jesuits in 1633 and dedicated himself to teaching in various Jesuit schools. He spent time in Huesca, where he befriended the local scholar Vincencio Juan de Lastanosa, who helped him achieve an important milestone in his intellectual upbringing. He acquired fame as a preacher, although some of his oratorical displays, such as reading a letter sent from Hell from the pulpit, were frowned upon by his superiors. He was named Rector of the Jesuit College of Tarragona and wrote works proposing models for courtly conduct such as El héroe (The Hero), El político (The Politician), and El discreto (The Discreet One). During the Spanish war with Catalonia and France, he was chaplain of the army that liberated Lleida in 1646.
In 1651, he published the first part of the Criticón (Faultfinder) without the permission of his superiors, whom he disobeyed repeatedly. This attracted the Society's displeasure. Ignoring the reprimands, he published the second part of Criticón in 1657, as a result was sanctioned and exiled to Graus at the beginning of 1658. Soon Gracian wrote to apply for membership in another religious order. His demand was not met, but his sanction was eased off: in April 1658 he was sent to several minor positions under the College of Tarazona. His physical decline prevented him from attending the provincial congregation of Calatayud and on 6 December 1658 Gracian died in Tarazona, near Zaragoza in the Kingdom of Aragon.
Gracián is the most representative writer of the Spanish Baroque literary style known as Conceptismo (Conceptism), of which he was the most important theoretician; his Agudeza y arte de ingenio (Wit and the Art of Inventiveness) is at once a poetic, a rhetoric and an anthology of the conceptist style.
The Aragonese village where he was born, Belmonte de Calatayud, changed its name to Belmonte de Gracián in his honour.
The 1911 Encyclopædia Britannica wrote of Gracián that "He has been excessively praised by Schopenhauer, whose appreciation of the author induced him to translate the Oráculo manual, and he has been unduly depreciated by Ticknor and others. He is an acute thinker and observer, misled by his systematic misanthropy and by his fantastic literary theories".
Nietzsche wrote of the Oráculo, "Europe has never produced anything finer or more complicated in matters of moral subtlety," and Schopenhauer, who translated it into German, considered the book "Absolutely unique... a book made for constant use...a companion for life" for "those who wish to prosper in the great world." A translation of the Oráculo manual from the Spanish by Joseph Jacobs (London: Macmillan and Co., Limited), first published in 1892, was a huge commercial success, with many reprintings over the years (most recently by Shambala). Jacobs’ translation is alleged to have been read by Winston Churchill, seven years later, on the ship taking him to the Boer Wars.
In Paris, in 1924, a revision and reprint of the translation into French by Abraham-Nicolas Amelot de La Houssaie, with a preface by André Rouveyre, attracted a wide readership there, and was admired by André Gide. A new translation by Christopher Maurer (New York: Doubleday) became a national bestseller in the U.S. in 1992 , and the English edition, which sold almost 200,000 copies, was translated into Finnish, Chinese, Japanese, Portuguese, and many other languages.
____________________________________
8:40
The Art of Worldy Wisdom; Baltasar Gracian V2
https://www.youtube.com/watch?v=uPhW3otmYvI
https://www.youtube.com/watch?v=uPhW3otmYvI
Giving Voice to the Wisdom of the Ages
Oct 15, 2017
The Art of Worldy Wisdom;
(Baltasar Gracián)
─ A man at his highest point
─ Avoid victories over superiors
─ To be without passions
─ Avoids the faults of your nation
─ Fortune and fame
─ Cultivate those who can teach you
─ Nature and art
─ Act sometimes on second thoughts ...
─ The thing itself and the way it is done
─ Keep ministering spirits
─
The Art of Worldy Wisdom;
(Baltasar Gracián)
─ A man at his highest point
─ Avoid victories over superiors
─ To be without passions
─ Avoids the faults of your nation
─ Fortune and fame
─ Cultivate those who can teach you
─ Nature and art
─ Act sometimes on second thoughts ...
─ The thing itself and the way it is done
─ Keep ministering spirits
____________________________________
https://www.goodreads.com/author/quotes/1026409.Baltasar_Graci_n
____________________________________
The Art of Worldy Wisdom;
(Baltasar Gracián)
─ A man at his highest point
─ Avoid victories over superiors
─ To be without passions
─ Avoids the faults of your nation
─ Fortune and fame
─ Cultivate those who can teach you
─ Nature and art
─ Act sometimes on second thoughts ...
─ The thing itself and the way it is done
─ Keep ministering spirits
first published in 1637
translated to English by Joseph Jacobs in 1892.
A collection of 300 aphorisms on life and the way you should live, Balthsar Gracian's work has been used as a modern day guide to life much in the way that Sun Tzu's Art of WAr or Machiavelli's The Prince have.
https://www.online-literature.com/gracian/art-worldly-wisdom/6/
vi A Man at his Highest Point.
We are not born perfect: every day we develop in our personality and in our calling till we reach the highest point of our completed being, to the full round of our accomplishments, of our excellences. This is known by the purity of our taste, the clearness of our thought, the maturity of our judgment, and the firmness of our will. Some never arrive at being complete; somewhat is always awanting: others ripen late. The complete man, wise in speech, prudent in act, is admitted to the familiar intimacy of discreet persons, is even sought for by them.
vii Avoid Victories over Superiors.
All victories breed hate, and that over your superior is foolish or fatal. Superiority is always detested, à fortiori superiority over superiority. Caution can gloss over common advantages; for example, good looks may be cloaked by careless attire. There be some that will grant you precedence in good luck or good temper, but none in good sense, least of all a prince; for good sense is a royal prerogative, any claim to that is a case of lèse majesté. They are princes, and wish to be so in that most princely of qualities. They will allow a man to help them but not to surpass them, and will have any advice tendered them appear like a recollection of something they have forgotten rather than as a guide to something they cannot find. The stars teach us this finesse with happy tact; though they are his children and brilliant like him, they never rival the brilliancy of the sun.
viii To be without Passions.
’Tis a privilege of the highest order of mind. Their very eminence redeems them from being affected by transient and low impulses. There is no higher rule than that over oneself, over one's impulses: there is the triumph of free will. While passion rules the character, no aiming at high office; the less the higher. It is the only refined way of avoiding scandals; nay, ’tis the shortest way back to good repute.
ix Avoid the Faults of your Nation.
Water shares the good or bad qualities of the strata through which it flows, and man those of the climate in which he is born. Some owe more than others to their native land, because there is a more favourable sky in the zenith. There is not a nation even among the most civilised that has not some fault peculiar to itself which other nations blame by way of boast or as a warning. ’Tis a triumph of cleverness to correct in oneself such national failings, or even to hide them: you get great credit for being unique among yourfellows, and as it is less expected of you it is esteemed the more. There are also family failings as well as faults of position, of office or of age. If these all meet in one person and are not carefully guarded against, they make an intolerable monster.
x Fortune and Fame.
Where the one is fickle the other is enduring. The first for life, the second afterwards; the one against envy, the other against oblivion. Fortune is desired, at times assisted: fame is earned. The desire for fame springs from man's best part. It was and is the sister of the giants; it always goes to extremes--horrible monsters or brilliant prodigies.
xi Cultivate those who can teach you.
Let friendly intercourse be a school of knowledge, and culture be taught through conversation: thus you make your friends your teachers and mingle the pleasures of conversation with the advantages of instruction. Sensible persons thus enjoy alternating pleasures: they reap applause for what they say, and gain instruction from what they hear. We are always attracted to others by our own interest,but in this case it is of a higher kind. Wise men frequent the houses of great noblemen not because they are temples of vanity, but as theatres of good breeding. There be gentlemen who have the credit of worldly wisdom, because they are not only themselves oracles of all nobleness by their example and their behaviour, but those who surround them form a well-bred academy of worldly wisdom of the best and noblest kind.
xii Nature and Art:
material and workmanship. There is no beauty unadorned and no excellence that would not become barbaric if it were not supported by artifice: this remedies the evil and improves the good. Nature scarcely ever gives us the very best; for that we must have recourse to art. Without this the best of natural dispositions is uncultured, and half is lacking to any excellence if training is absent. Every one has something unpolished without artificial training, and every kind of excellence needs some polish.
xiii Act sometimes on Second Thoughts, sometimes on First Impulse.
Man's life is a warfare against the malice ofmen. Sagacity fights with strategic changes of intention: it never does what it threatens, it aims only at escaping notice. It aims in the air with dexterity and strikes home in an unexpected direction, always seeking to conceal its game. It lets a purpose appear in order to attract the opponent's attention, but then turns round and conquers by the unexpected. But a penetrating intelligence anticipates this by watchfulness and lurks in ambush. It always understands the opposite of what the opponent wishes it to understand, and recognises every feint of guile. It lets the first impulse pass by and waits for the second, or even the third. Sagacity now rises to higher flights on seeing its artifice foreseen, and tries to deceive by truth itself, changes its game in order to change its deceit, and cheats by not cheating, and founds deception on the greatest candour. But the opposing intelligence is on guard with increased watchfulness, and discovers the darkness concealed by the light and deciphers every move, the more subtle because more simple. In this way the guile of the Python combats the far darting rays of Apollo.
xiv The Thing Itself and the Way it is done.
"Substance" is not enough: "accident"is also required, as the scholastics say. A bad manner spoils everything, even reason and justice; a good one supplies everything, gilds a No, sweetens truth, and adds a touch of beauty to old age itself. The how plays a large part in affairs, a good manner steals into the affections. Fine behaviour is a joy in life, and a pleasant expression helps out of a difficulty in a remarkable way.
xv Keep Ministering Spirits.
It is a privilege of the mighty to surround themselves with the champions of intellect; these extricate them from every fear of ignorance, these worry out for them the moot points of every difficulty. ’Tis a rare greatness to make use of the wise, and far exceeds the barbarous taste of Tigranes, who had a fancy for captive monarchs as his servants. It is a novel kind of supremacy, the best that life can offer, to have as servants by skill those who by nature are our masters. ’Tis a great thing to know, little to live: no real life without knowledge. There is remarkable cleverness in studying without study, in getting much by means of many, and through them all to become wise. Afterwards you speak in the council chamber on behalf of many, and as many sages speak through your mouth as were consulted beforehand: you thus obtain the fame of an oracle by others' toil. Such ministering spirits distil the best books and serve up the quintessence of wisdom. But he that cannot have sages in service should have them for his friends.
____________________________________
https://monadnock.net/gracian/wisdom.html
https://monadnock.net/
____________________________________
··<────────────────────────────────────────────────────────────────────────────>
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